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Grinnygog

by Grinnygog

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1.
INTRO 01:30
2.
BLACK DOG 04:17
BLACK DOG She was a back dog who followed him. A storm of poor choices reverberating. Shivering though it’s hotter than the sun, A cold sweat of disaffection Brain barking the loops of what went on. Still reeling in the waves of feeling, Stored up and pulling at the leash, Inside a night of howls and perimeters - chasing ghosts and straining chains. Perfect pointers to prey animals, Of hiding acceptance and the softer feelings. All the recriminations and inside and outside the chasing shadow of….. All of the time he knew it to be Inside his mind And not at his heel. Up on the brow Where the sail meets the sky, Journeying in to find…. Old blunt patina, Never yielding in it slow hammer, Dead dull bark of feints and fortunes lost. Still ringing with the myth of winning, Seeking solace in the self said proof: Battling in the afterglow Of everything you know you lost. All of the time he knew it to be Inside his mind And not at his heel. Up on the brow Where the sail meets the sky, Journeying in to find…. The Sun! All of the time he knew it to be Inside his mind And not at his heel. Up on the brow Where the sail meets the sky, Journeying in to find…. When does the wolf regress to be all the things in its genetic capacity? To run snarl howl and hunt, Survive and thrive, In the forests of it’s emotional home. Home, are you coming home? to hunt with me? Home are you coming home? Hunt with me.
3.
WIRETAP 03:52
WIRE TAP Straight to the top for the wire tap Branches snap outside supposed safe houses Sacred ground is swallowed whole Lost souls Hearts to hold Straight to the top for the wire tap Branches snap outside supposed safe houses Sacred ground is swallowed whole Lost souls Hearts to hold Hope deserted Angels unconvinced Bleeding out in the back of blacked out Cadillacs Flashing badges like romantic holidays Avoiding detection on the frontier posts of the American suburbs Picking of decorated men with expert skill for fun Those executed on shaky evidence There was no epiphany No progress Sent upstate to repent Religious sermons, modern baptists Snipers on the roof Waiting for movement A glint is a give-away They keep chopping while we stand useless A ruined middleweight From a fight stopped much too late Rumours of the rail road Became a roadmap into the swamp Promises of anchoring his wilderness With migration north Different lives led Years apart The sky drew dark as we rolled further into the heart land Into the veins of the country And when the first local boy died overseas They named a school after him For the second it was a street corner Pretty soon they r4ealised the town Would be nothing but names by next winter To live amongst the rubble Of the past The persistence of memory More productive Less toxic Straight to the top for the wire tap Snipers on the roof Waiting for movement A glint is a give-away They keep chopping while we stand useless A ruined middleweight From a fight stopped much too late Much too late Much too late
4.
NO NEED TO APOLOGISE Let’s cope. Pushing each other around In the image of the sun Smothered by the clouds and Let’s smoke Throwing our hands In the mirror of your brothers car To warm my hip bones. Why’d you have to go and spill yourself on the road? Why’d you have to hide In powdered prisons of your smiling Lie? Let’s drink a hollow toast. A fallacy of dry eyes. Bright blue and imploring. Why’d you have to go and spill yourself on the road? Why’d you have to hide In powdered prisons of your smiling Lie? We’ll hoist his wooden boat To set, to sink, to float, To put to fire and flame. Let’s see if all these ashes. (if you’d never been away) (and what gives to the right to throw it all away?) There’s no need for you to apologise. There’s no need for you to cry.
5.
BALLARD 04:13
BALLARD I’ve seen the fall of Rome on a sunny Sunday afternoon. When all your pills and sand have let you down, Clustered in your patch of sun, To drink your money Bloody Mary week away, To “have some fun”, Before you slip and slide into the black hole ‘Cos Monday’s coming! You’re running at a thousand miles an hour Into bends you cannot take. You’re hurtling through forests without end, ‘Cos you can’t apply the brakes. You can’t melt your sins away by focusing your ray bans at the sun. No matter how hard you try, you’ll never wash it all away with your favourite brand of Gin. The creeping rot cos Monday’s coming! You’re running at a thousand miles an hour Into bends you cannot take. You’re hurtling through forests without end, ‘Cos you can’t apply the brakes.
6.
DEVIL LIZARD DELIVERY DAY When time melts like blue-tac, The dullard swarm arrive to be informed. Through the cracks and fissures of normal logic is the the moving mouth. No sign or break point will keep the general public from their bowling, boggling and no mind ability to interfere. Why must I compromise? To spend precious time on this earth filling in the holes blown in your mind, I’ll never get anything done. The door swings and clatters; Delivery of bees and break pads, Calls for sacred dentists and “can you buy my razors for your child?”. There’s clowns in the basement A flock of sisters has left their briefcase, Afire alarm of palettes. Just because it’s burning , why should they leave? Why must I compromise? To spend precious time on this earth filling in the holes blown in your mind, I’ll never get anything done. After more than two decades of standing smiling at you, While you do the single biggest range of stupid mean facile deliberate fucking fuck ups, you have no idea how loud I need to blow that horn. The greatest act of my resolve was giving my self the chance to leave. I chose to leave. I chose to leave. So i chose to leave, and in doing so i finally chose to live.
7.
INNER EAR 03:49
Inner ear. Negative Elvis. Repitch those shakes to shattered stones. Lumping that hammer tongue around. Negative Elvis. One pitch and no control allowed; The mirror of your friends and foes is broken by your sound. Why must you be so loud? Why must you scream and shout to say the simplest things you could have left out anyway. Why must you be so loud? Why must you all harp in that way? Volume over content. All your vulgar noise displays. Negative Elvis. Set back the dials that chip the paint. Negative Elvis, Scraping your teeth black for your faint and readily disappearing sense of self esteem. Why must you be so loud? Why must you scream and shout to say the simplest things you could have left out anyway. Why must you be so loud? Why must you all harp in that way? Volume over content. All your vulgar noise displays. Whisper like the wind that moves through darkened trees at night to sing you to your sleep my foes! Whisper like the wind that moves through darkened trees at night to sing you to your sleep my friends, In the end.
8.
Death In Green A strip of valley farms was thought too steep to build on. Low dense shrubby woods and chalk pits we called dene holes where we could dig and climb and roam outside of sight. We need to see by the thorns. (How far he can climb.) We need to hunt sticks and stones. (The brothers in the vines.) We need to build by the piles. (So they can burn it down) Teaching ourselves not to die, out in the green. A sheer chalk cliff in time rain had cut and and angled. A rubbish pit was dug, and refilled with detritus. We mined and crawled 10 feet underground lowered on a rope. We need to see by the thorns. (How far he can climb.) We need to hunt sticks and stones. (The brothers in the vines.) We need to build by the piles. (So they can burn it down) Teaching ourselves not to die, out in the green. No blue rope will break on me. No tunnel wall will fall. The sticks and stones won’t break my bones as I leap off it all. In the summer of the year i turned Thirteen nothing killed me at all.
9.
S T H O T T O H Strange things happen on the top of hills. Strange things happen on the top of hills. TE HE HE HE HE.
10.
Did you think I’d Forgotten? The son of a sailor doesn’t set foot on water lightly. Neither does he whistle, or carry meat to strange shores. You can throw your handful of stones bulk head popper, No holy bird will die, No mouth will swallow me whole. I see your dark dreams And I see your kicking. No mouth will swallow me whole from beneath. The shadow of closing of teeth. Down in the belly of various beasts. Pale eyed bearers of jurassic teeth. (Well I) No storms, no crash on the reef. All of the doubt is belief. The sun is on, All whispering tasks. Harpoon times half breakers. List not and tip into the eternal old man, See if you can pull back and see the horizon of your own sleep. Try not to sleep Try not to sleep Try no to But I’m letting go.
11.
Nicely Melted I had been practicing small talk for the best part of the morning. No trespassing, It was all very simple. I waited 4 hours to get a ride in the hot wind. I am a monument on your back seat. Everybody worked to get to this point, I fell into it. I am a priest carrying the weight of a days drinking. Nicely melted I remember the tarmac smelling the same. The plume leaps backwards; A collection of thoughts flail through the silence. We have nothing in common. We have nothing in common but move forward together. Swimming in uncharted territory,
12.
BIG DIPPER 03:44
BIg Dipper It’s nice to think that there’s a comforting choir, Bank of faces Friends and fiends. Heroes and heels to usher you back home. But what if those are just hopes and dreams? What if this puppets in the rows are moved by hands unseen? It’s nice to hope there’s a place that you can go where they’ll great you hand in hand. What if you can see the rods and strings running do you get to know where you stand? ‘Cos I know how deep my shadow goes, But it ushers me past the end. ‘Cos every mask I pull there’s another mask set behind when do i reach the hand? And every string I cut there’s another string strung behind so when do I reach the hand? We don’t get to see behind the scenes do we? This is the end of the show.

about

First full length release from the Grinnygog project.

credits

released January 6, 2023

Songs by Henry Marten unless otherwise stated.
Featuring: Jason Frye, Troy Osmon, Tyler Gladwish, Thom Kissock and Neil Horrenz-Kelly.
Recorded and Produced at Century Audio by Jason Frye.
Mixed and Mastered by Michael Jefford at MKII mastering.
Artwork Photography by Rob Baker Ashton.
Modelling / styling Daisy Warne.
Graphic design by Christopher Page.
Hype man / Logistics By Mark Oatridge.
Catering by Elizabeth Howes.

Thank you to everyone and to everyone I play-tested all these songs in various states of disarray to,

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Grinnygog Deal, UK

A Rock band

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